Clercxworks

CURRICULUM VITAE

Byron Clercx
Chair, Marshall University

RANK OR TITLE: Professor
DEPARTMENT: Art & Design
OFFICE LOCATION: SH720, 2220
OFFICE PHONE: 304-696-5451 FAX: 304-696-6505

DATE OF FIRST EMPLOYMENT AT MU: 2005 DATE OF TENURE: 2005 DATE OF PRESENT RANK OR TITLE: 2005

EDUCATION BEYOND HIGH SCHOOL:

Degrees: M. F. A., California State University-Fullerton, Fullerton, California, 1991 (Sculpture) B. S. Art, University of Wisconsin-River Falls, River Falls, Wisconsin, 1985 (Painting/Papermaking)

Non-degree: Graduate Courses, University of Minnesota-Duluth, Duluth, Minnesota, 1986-88 (Painting /Sculpture).

EXPERIENCE:

Administrative Appointments Chairperson, Art & Design, Marshall University, Huntington, West Virginia, 2005-present Graduate Coordinator, Art & Design, University of Idaho, Moscow, Idaho, 2004-05

Academic Appointments: Professor, Art & Design, Marshall University, Huntington, West Virginia, 2005 Associate Professor, Art & Design, University of Idaho, Moscow, Idaho, 1998-present Assistant Professor, University of Idaho, Moscow, Idaho, 1993-98 Visiting Professor of Art, Whitman College, Walla Walla, Washington, 1992-93 Johnston Visiting Professor in Art, Whitman College, Walla Walla, Washington, 1991-92 Graduate Teaching Assistant, University of Minnesota-Duluth, Duluth, Minnesota (Art 101), 1986-88

Non-Academic Appointments: Mentor, Summer Internship Program, Whitman College, Walla Walla, Washington, 1993 Substitute Teacher (K-8), Fullerton School District, Fullerton, California, 1990-91 Graduate Assistant (Ceramics), California State University-Fullerton, Fullerton, California, 1989 Artist in Residence, Roseville Area High School, Roseville, Minnesota, 1988-89 Artist in Residence, Alexander Ramsey High School, Roseville, Minnesota, 1985-86

Consulting: Design Consultant, Mechanical Engineering: SAE National Car Competition, University of Idaho, 2003 Design Consultant, Civil Engineering: Regional Concrete Canoe and Concrete Bowling Ball Competitions, University of Idaho, Moscow, Idaho, 2001 and 2003. Guest Reviewer, BFA Candidates, Eastern Washington University, Cheney, Washington, 2000 Guest Reviewer, BFA Candidates, Eastern Washington University, Cheney, Washington, 1997

TEACHING ACCOMPLISHMENTS:

Area of Specialization: Sculpture

Secondary Areas of Competence: Bookarts, Papermaking, Painting CLERCX, Byron D. Page 2

Courses Taught: Marshall University (2005-present) Art Appreciation (non-majors, ongoing)

University of Idaho (1993-2004): Practicum in Teaching: Art 597 (periodic) MFA Exhibition: Art 590 (ongoing) MFA Ind. Critique: Art 521 (ongoing) MFA Sm. Group: Art 516 (ongoing) MFA Art Studio: Art 515 (ongoing) Readings in Art & Design: Art 508 (2002, 2001 & 1998) Graduate Art Seminar: Art 507 (2004) MFA Thesis: Art 500 (ongoing) BFA Senior Thesis: Art 495 (periodic) BFA Studio: Art 490 (ongoing) Intermediate & Advanced Sculpture: Art 340 (ongoing) Beginning Sculpture: Art 241 (ongoing) Practicum in Teaching: Art 299 (periodic) Field Trip to L. A.: Special Topics, Art 404 (1999) Drawing I: Art 211 (Summer-1998) Metal Casting: Special Topics, Art 404 (Summer-1998) Printmaking I: Art 251 (1993-95) Design II: VCDP Art 122 (1994)

Whitman College (1991-93): Painting (I, II & III) Drawing I & II Book Arts I & II Printmaking I & II 2-D Design 3-D Design Contemporary Art Seminar Field Trip to N. Y. C. (1992) Ceramic Sculpture Metal Sculpture Papermaking BFA Senior Thesis BFA Senior Studio

Student Advised: Undergraduate Students advised: (range = 15-20 per year):

Graduate Students advised as Major Professor: Ryan Law, MFA-Studio Art: Ceramics; Bruce Sykes, MFA-Studio Art: Sculpture; Todd Volz, MFA-Studio Art: Ceramics; (anticipated, 2006). Jason Mills, MFA-Studio Art: Sculpture/Ceramics: Sculpture/Drawing; Jared Wiberg, MFA- Studio Art: Drawing, 2003 Jim Creighton, MFA-Studio Art: Sculpture/Drawing; Brett Mosher, MFA-Studio Art: Sculpture; Jan vanManen, MFA-Studio Art: Sculpture/Installation, 2002 Michelle Carr, MFA-Studio Art: Textiles/Installation; Nancy Hathaway, MFA-Studio Art: Sculpture, 2000 Brenda Christie, MFA-Studio Art: Painting; Cory Peeke, MFA-Studio Art: Mixed Media, 1999 Brian Ledwell, MFA-Studio Art: Sculpture, 1998 Lars Rosenblad, MFA-Studio Art: Ceramics; David Schlater, MFA-Studio Art: Photography/Book arts, 1997

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Served on Graduate Committee: Heather Anderson- Studio Art: Photography (anticipated, 2007) Will Wise, MFA-Studio Art: Graphic Design/Installation, 2003 Anjel Luna, MFA-Studio Art: Ceramics, Allison Koster, MFA-Theater Arts, 2002 Paula Coomer, MFA-Creative Writing; Cory Roundtree, MFA-Studio Art: Painting, 1999 Christine Nelson, MFA-Studio Art: Graphic Design/Sculpture; David Spruill, MFA-Studio Art: Painting, 1998 Tim Guthrie, MFA-Studio Art: Painting/Mixed Media, 1997 Steve Spiegel, MFA-Studio Art: Sculpture, 1995

Non-credit Classes, Workshops & Seminars: Presenter, “Bookarts Workshop: Learning to Read Between the Lines,” Washington State University Pullman, Washington, 1999. Class Seminar, “(Re)Thinking Books,” Book Arts Program, University of California - Santa Barbara, Santa Barbara, California, 1997. Presenter, “Children’s Bookarts Workshop: Books Metaphoric Classroom Tools,” Ellis School, Pittsburgh, Pennsylvania, 1996. Instructor, 3-D Design Children’s Summer Session, Idyllwild School of Music and Arts, Idyllwild, California, 1993. Presenter, “Papermaking Workshop: Alumni Summer Program,” Whitman College, Summer, 1992. Printmaking Assistant, UCLA ArtsReach, California Institute for Women, Chino, California, 1991.

Honors and Awards: Alumni Award for Excellence in Teaching, University of Idaho, Moscow, Idaho, 2003 Research Sabbatical, University of Idaho, Moscow, Idaho, 2003-04 Alumni Award for Excellence in Teaching, University of Idaho, Moscow, Idaho, 1996

SCHOLARSHIP ACCOMPLISHMENTS:

Solo Exhibitions: Textuality, Lorinda Knight Gallery, Spokane, Washington, 2004 Tactile Memories and Related Passages, Gallery Konvikt, Palacky University, Olomouc, Czech Republic, 2003 Textuality: Reading Between the Lines, Museum Café Gallery, Museum of Art, Olomouc, Czech Republic, 2003 Allegories and Object Lessons, Lorinda Knight Gallery, Spokane, Washington, 1997 Corporeal Readings, Eastern Washington University, Cheney, Washington, 1997 Painting is History, Westminster College, New Wilmington, Pennsylvania, 1996 Examination Copies, University of North Dakota, Grand Forks, North Dakota, 1993 Re/Formations, Sheehan Gallery, Whitman College, Walla Walla, Washington, 1993 Entropy, West Gallery, California State University-Fullerton, Fullerton, California, 1991

Public Art: Pedals to Pages, Bike Rack & Benches for the Boise Public Library, Boise City Arts Commission, Boise, Idaho (a ClercxWorks collaboration w/ Lynn Clercx), 2003-04.

Two and Three Person Exhibitions: Information/Transformation, Yellowstone Art Museum, Billings, Montana, (with Mary Bonjorni and Marlene Alt), 2001 Ag·Nation, ArtWest Gallery, Art Association, Jackson Hole, Wyoming, (with Todd Clercx), 2001 Bookish, Paris Gibson Square Museum of Art, Great Falls, Montana, (with Toni Matlock), 1998 Re/Generations, UI Prichard Gallery, Moscow, Idaho, (with Merl Clercx), 1997

Faculty Exhibition, Prichard Gallery, University of Idaho, Moscow, Idaho (annually since 1993). Ex Libris, Frumkin Duval Gallery, Santa Monica, California, 2002 Boise City Arts Commission: Public Art Projects, Boise Art Museum, Boise, Idaho, 2002. Group Show, Lorinda Knight Gallery, Spokane, Washington, 2002 Group Exhibit: Sun Valley Annual Writers Conference, Anne Reed Gallery, Ketchum, Idaho, 2001 Book Unbound, Dalton Gallery, Agnes Scott College, Atlanta, Georgia, 2001 Book as Art, Catherine G. Murphy Gallery, College of St. Catherine, St. Paul, Minnesota, 2000 LEGIBLE FORMS: Contemporary Sculptural Books, Contemporary Art Center of Virginia, Virginia Beach, Virginia, [curator: Carla Hanzal], 1999 Tools-as-Art: The John Hechinger Collection, The National Building Museum, Washington, DC, 1999. An Academic Celebration of Idaho Artists, John B. Davis Gallery, Idaho State University, Pocatello, Idaho [curator: Rudy Kovacs (catalog)], 1998 TURNING UP THE PAGE: Artist Book of the Nineties, Pyramid Atlantic Gallery, Riverdale, Maryland, [curator: Helen Frederick], 1997 LEGIBLE FORMS: Contemporary Sculptural Books, Handworkshop Art Center, Richmond, Virginia; Chicago Public Library & Harold Washington Library, Chicago, IL; Sheldon Memorial Art Gallery, Lincoln, Nebraska, 1997 Literary Sojourn, Steamboat Springs Arts Council at the Depot, Steamboat Springs, Colorado, 1997 Webs://Textiles & New Technology, UC-Davis Gallery, Davis, California, 1997 Artist’s Books, School of Glass Works & Printmaking, New Orleans, Louisiana, 1997 The Book as Art, Eleanor Bliss Center for Arts, Steamboat Springs, Colorado, 1997 Inside/Outside: The International Library, Frederick R. Weisman Museum, University of Minnesota, Minneapolis, Minnesota. [curator: Helmut Lohr (catalog)], 1996 Literary Sojourn, Steamboat Springs Arts Council, Steamboat Springs, Colorado, 1996 Book as Art III, Edith Lambert Gallery, Santa Fe, New Mexico, 1996 Virginia Festival of the Book, various locations, Charlottesville, North Carolina, 1996 1996 Book Art Show Seattle Public Library, Seattle, Washington, 1996 Artist’s Books, Warren Street Gallery, Hudson, New York [curator: Fawn Potash], 1995 Book as Art II, Edith Lambert Gallery, Santa Fe, New Mexico, 1995 Books as Objects, Selby Gallery, Ringling School of Art & Design, Sarasota, Florida, 1995 The Packwood Diaries, Pyramid Atlantic, Riverdale, Maryland, 1995 Let’s Play House: Artist’s and Domestic Environments, Charles A. Wutsum Museum of Fine Art, Racine, Wisconsin [curator: Caren Heft (catalog)], 1995 The Uncommon Book: Structure, Space, Language, Sun Valley Art Center, Sun Valley, Idaho, 1995 The International Library, Center for Book Arts, New York, New York [curator: Helmut Lohr], 1995 2nd International Book Arts Invitational, King Street Stephen Museum, Hungary [curator: Gyula Fulop (work in permanent collection)], 1994 Re-Reading the Boundless Book, Minnesota Center for Book Arts, Minneapolis, Minnesota [curator: Betty Bright], 1994 Artist’s & Eccentric Books, Braithwaite Gallery, University of Southern Utah, Cedar City, Utah, 1994 The Packwood Diaries, Comus Gallery, Portland, OR [curator: Donald Vogler (catalog)], 1994 Las Vegas U.S.A., Nevada Institute for Contemporary Art, Las Vegas, Nevada, 1994 Books as Objects, North Dakota Museum of Art, Grand Forks, North Dakota, 1994 The Aesthetics of Athletics: Sports Games and Exercise, Charles A. Wutsum Museum of Fine Art, Racine, Wisconsin. [curator: Caren Heft (catalog)], 1994 Triennial: Black, White and Read II, Edith Lambert Gallery, Santa Fe, New Mexico, [curator: Anne Burton], 1994 Bookworks from the Book Arts Guild, Pratt Fine Arts Center, Seattle, Washington, 1994 Book as Object as Book, Comus Gallery, Portland, OR, [curator: Donald Vogler (catalog)], 1993 Artists Books & Art About Books, Pratt Manhattan Gallery, New York, New York; and Rubelle & Norman Schafler Gallery, Brooklyn, New York, 1993 Building the Contemporary Book, Minnesota Center for Book Arts, MPLS, Minnesota. [curator: Betty Bright], 1993 In, On & Out of the Bag, Nevada Institute of Contemporary Art, Las Vegas, Nevada, 1993 American Artist Books, Istvan Kiraly Museum, Budapest, Hungary [curator: Robin Silverberg (work in permanent collection, catalog)], 1992

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Juried Exhibitions: Idaho Commission on the Arts Fellowship 2003 Exhibition, UI Prichard Art Gallery, Moscow, Idaho; Friesen Gallery, Nampa, Idaho; Herrett Museum & Jean King Gallery, Twin Falls, Idaho; Lewis & Clark Center for Arts & History, Lewiston, Idaho [statewide tour (catalog)], 2003. Idaho Triennial Exhibition, Boise Art Museum, Boise, Idaho [juror: Cheryl Conkelton, (catalog)], 1998 A Survey of Contemporary Book Arts in the Northwest, Sheehan Gallery, Whitman College, Washington [curators: Ben Mitchell & Kathy Kuehn], 1996 Mold That Thought, Galleria Mesa, Mesa, Arizona [juror: Katheryn Funk], 1996 Idaho 1995 Triennial Exhibition, Boise Art Museum, Boise, Idaho [jurors: Diane M. Douglas, Wally Mason, and Gordon McConnell, (catalog)], 1995 A Booker’s Dozen: 14 Idaho Artist’s & Eccentric Books, Idaho Center for the Book, Boise State University, Boise, Idaho [curator: Tom Trusky], 1994 VICTIMS, University of Alaska at Anchorage, Anchorage, Alaska, 1993 Recycler Exhibit, DaVinci Art Gallery, LA City College, Los Angeles, California, 1993 Pacific Northwest Annual, Bellevue Art Museum, Bellevue, Washington. [jurors: Buzz Spector and Susan Biskeborn], 1993 Art Work for AIDS ‘93, Northwest Aids Foundation, Seattle, Washington, 1993 1s National Show, Long Beach Center for Art, California [juror: Jen Butterfield], 1992 Volumnation: Book-As-Art-Object, Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kansas [juror: Amy Young], 1992 Bookworks, Mesa City Art Center, Mesa, Arizona, 1992 88th Open, Long Beach Center for the Arts, Long Beach, California. [juror: Peter Frank], 1992 Artists Books Exhibition, Wilder Galley, Los Gatos, California [juror: Valorie Hill], 1992 Artists Books, Sarasota County Library, Sarasota, California, 1992 Art Beat 1991, Costa Mesa Art League Gallery, Costa Mesa, California. [jurors: Susan Anderson, Brian Gray, & Mark Johnstone], 1991 ‘30 Below’, University Art Museum, University of Minnesota, Minneapolis, Minnesota [jurors: Diane Katsiaficas & George Neubert], 1987 1986 Juried Show for Minnesota Artists, The Art Center of Minnesota, Orono, Minnesota; Owatonna Art Center, Owatonna Minnesota; Bemidji Art Center, Bemidji, Minnesota [curators: Sidney Simon & Lynne Warren (catalog)], 1986

Other Temporary Displays, Installations & Performances: “ClercxWorks”, St. Paul Art Crawl, Studio 507, Northwestern Building, St. Paul, Minnesota, 2004 “Surveillance”, site-specific installation of slow motion outdoor video projections on buildings of eyes reading excerpts from Janson’s, History of Art, New York, New York, 1994. “Salt-Lake/Salt Licks: (and other salient puns)” site-specific installation of books in and around Great Salt Lake, Ogden, Utah, 1994.

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Presentations: ‘Gallery Talk with Byron Clercx’, Lorinda Knight Gallery, Spokane, Washington, 2004 ‘Byron Clercx and Sculpture at Idaho’, Introduction to Art, University of Idaho, Moscow, Idaho, 2004. ‘From Studio Work to Public Sculpture, Buhl, Idaho: Public Art Project, Department of Architecture, University of Idaho, Moscow, Idaho, 2004. "Textuality: Language, Locution and Location", Krakow Academy of Art, Krakow, Poland, 2003 "Materials, Memories, and Metaphors", Palacky University, Olomouc, Czech Republic, 2003 "Books as Objects: The Rhetoric of Transformation", Museum of Art, Olomouc, Czech Republic, 2003 "Reflexive Origins and New Frontiers", Center for Polish Sculpture, Oronsko, Poland, 2003 "Pedals to Pages" Public Art: BCAC-Idaho Artist's Panel, Boise Art Museum, Boise, Idaho, 2002. “Textuality: Books-as-Metaphors,” Yellowstone Art Museum, Billings, Montana, 2001. “Ag.Nation,” Art Association Gallery, Jackson Hole, Wyoming, 2001. “Displacement or Deference: How Technology Has Affected the Visual Arts, Tools and Technology Humanities Lecture Series,” University of Idaho, Moscow, Idaho, 2001. “Presenter, Discernable Differences and Danto’s Theories: There’s More to Art Than Meets the Eye,” Inland Northwest Philosophy Conference on Truth & Meaning, University of Idaho, Moscow, Idaho & Washington State University, Pullman, Washington, 2000. “Corporeal Readings,” Art Department, California State University Long Beach, Long Beach, California, 1998. “Giving Books Second Looks,” University, of Great Falls, Great Falls, Montana, 1998. “Artists’ Books: Prosaic Containers/Poetic Objects,” Paris Gibson Square Museum of Art, Great Falls, Montana, 1998. “Corporeal Readings,” Art Department, University of California-Santa Barbara, Santa Barbara, California, 1997. “Lecturer, Apprehending Conceptual Art", Fullerton College, Fullerton, California, 1997. “Like Father...Like Son,” Prichard Art Gallery, University of Idaho, Moscow, Idaho, 1997. “Painting is History", Art Department, Youngstown State University, Youngstown, Ohio, 1996. “Materials/Metaphors,” Art Department, Westminster College, New Wilmington, Pennsylvania, 1996. “Materials & Metaphors,” Compton Union Brown Bag Lunch Series, Washington State University, Pullman, Washington, 1995. “Book Objects: Tactile Language, Art & Language: Re-Reading the Boundless Book Symposium,” Minnesota Center for Book Arts, Minneapolis, Minnesota, 1994. “The Visual Book as a Classroom Tool,” Idaho Center for the Book Symposium, BSU, Boise, Idaho. “Book Objects: The Ugly Ducklings, Center for Book Arts, New York, New York, 1994. “The Physicality of Text, Symposium on Artist’s Books,” presenter and panelist, Portland State University, Portland, Oregon, 1993. “Text-uality,” Art Department, University of North Dakota, Grand Forks, North Dakota, 1993. “Looking at Books,” Minnesota Center for Book Arts, Minneapolis, Minnesota, 1993. “Re-Reading Books,” Sheehan Gallery, Whitman College, Walla Walla, Washington, 1993. “Entropy in the Arts,” Art Department, Whitman College, Walla Walla, Washington, 1991.

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Byron Clercx at Lorinda Knight Gallery and the Eastern Washington University Gallery, by Deborah Haynes, Artweek, May 1997, Vol. 28, No. 5, p. 29-30. Clercx at Knight Gallery, by Connie Grove, The Inlander, March 12, 1997, p. 12. Static Object: Dynamic Form, by Johanna Drucker, SCULPTURE, November 1996, Volume 15, Number 9, p. 20-24. Literary art show redefines limits, by Tom Ross, Steamboat Pilot, September 5, 1996, p. E1. Mesa exhibit includes an itchy situation, by Clare Ulik, Arizona Republic, March 30, 1996, p. 1 & 10. From Fiber to Pixels to Fiber Again, by Anne C. Lear, Computer Graphics, September 1996, p. 4-5. Byron Clercx: Reading Things, The Bookmaker’s Desire, by Buzz Spector, Umbrella Editions, 1995, p. 57-60. Centering the Art (Arts?) of the Book, by Charles Alexander, M/E/A/N/I/N/G #17, May 1995, p. 21-26. JAB: An Identity Crisis, by Doug Beube, Journal of Artist’s Books, Spring, 1995, p. 30-31. Johanna Drucker responds, by Johanna Drucker, Journal of Artist’s Books, Spring 1995, p. 31. Re-Reading the Boundless Book: Art and Language Rewrite the Twenty-First Century, by Neill Herring, Art Papers, Jan/Feb, 1995, p. 51-52. Literature becomes art in a different way, by Andrea Vogt, The Idaho State Journal, October 1, 1995, Sec. E, p. 1. Book Learin’: UI Professor Sculpts Texts into Art Works, by Andrea Vogt, Lewiston Tribune, August 25, 1995, Section D, p. 1 & 4. The Book as Art II, by Chris Hemp, THE magazine, April, 1995, p. 55 I Don’t Take Voice Mail, by Charles Bernstein, M/E/A/N/I/N/G #1, November 1994, p. 55-61. The Public Life of Artist’s Books: Questions of Identity, by Johanna Drucker, Journal of Artist’s Books, Volume 1, Number 2, Fall 1994, p. 6, 55-61. Piquing ‘Packwood Diaries’, by Lee Fleming, The Washington Post, Saturday, Dec. 10, 1994, p. D2. Hanging Sen. Packwood, by Susan G. Hauser, The Wall Street Journal, September 26, 1994, p. A12. A Booker’s Dozen, by Paris Almond, REFLEX, Oct/Nov, 1994, p. 17. Senator gets more than a tweak in Comus ‘Packwood Diaries’, by Bob Hicks, The Oregonian, September 10, 1994. Book Art Breaks the Rules, by Cory Wees, The Arbiter, April 19, 1994, p.10-11. Gallery Hopping: The Book as Art at the Edith Lambert Gallery, by Dean Balsamo, Pasatiempo, March 11, 1994, p. 44. Art is an Open Book, by Candelora Versace, Pasatiempo, March 4, 1994, p. 31-34. ‘Books as Objects’, at Comus Gallery (Portland),” REFLEX, Vol. 8, No. 1, Jan/Feb, 1994, p. 22, 24. Books as Objects as Books as Art, by Victoria Benedetti, Quarto, Volume 2, No. 1, January 1994, p. 1. American Artist’s Books, by Pataki Gabor, Uj Muveszet (Art Today), No. 93/1, January, p. 44-45. No telling these books by covers, by Joel Weinstein, The Oregonian, Tues., December 14, 1993, p. E8. Annual Bellevue Art Museum show reveals exceptional new voices, by Regina Hackett, Seattle Post Intelligencer, July 24, 1993, p. C3. Books as Art: From Library to Museum Floor, by Steve Cheseborough, Phoenix Gazette, July 15, 1992, p. 11. Books Open up to Reveal a New World of Artforms by Bruce Christian, Mesa Tribune, June 12, 1992, p. 20. ‘30 Below’, at ‘U’ is viewers digest of new artistic trends, by Mary Abbe Martin, Minneapolis Star and Tribune, Sunday, January 25, 1987, p. 1G & 9G, 1987.

Solo Exhibitions (Currently Scheduled or Submitted): Ongoing

Public Art (Currently Scheduled or Submitted): Ongoing

Authored Publications (Currently Scheduled or Submitted): Ongoing

Quick Art$, Idaho Commission on the Arts, Boise, Idaho, $850 for residency in Europe, 2003. Cenex, Inver Grove Heights, MN, 2003, educational donation, 220 gallons of BioForm Concrete Form Release Oil, casting research and product testing with UI Professor Ed Schmeckepeper, Small Travel Grant, University of Idaho, Moscow, Idaho, 2001, $850 for travel to the Yellowstone Art Museum, Billings, Montana for invited lecture and ‘Information/Transformation’ exhibition. Departmental Travel Award, University of Idaho, Moscow, Idaho, 2001, $250 for travel to the Yellowstone Art Museum, Billings, MT for invited lecture and exhibition. Quick Art$, Idaho Commission on the Arts, Boise, Idaho, 2000, $700 to complete artwork for ‘Information/Transformation’ installation at the Yellowstone Art Museum. Quick Art$, Idaho Commission on the Arts, Boise, Idaho, 1997, $1,000 to complete artwork for exhibits at EWU, Cheney, Washington; & Lorinda Knight Gallery, Spokane, Washington. Small Travel Grant, University of Idaho, Moscow, Idaho, 1995, $625 for travel to NYC for invited lecture at Center for Book Arts. Departmental Travel Award, University of Idaho, Moscow, Idaho, 1995, for invited lecture at Youngstown State University and exhibition at Westminster College, $250. Seed Research Grant, University of Idaho, Moscow, Idaho, 1994, $6,000 for travel to Ogden, Utah to complete onsite research and an installation at Great Salt Lake North American Salt Co., Salt Lake City, Utah, 1994, research donation materials & technical support. Small Travel Grant, University of Idaho, Moscow, Idaho, 1994, $900 for travel to MPLS & Boise for invited lectures at Book Art symposiums. Departmental Travel Award, University of Idaho, Moscow, Idaho, 1994, $250 for travel to Boise, Idaho and Minneapolis, Minnesota for invited lectures at Book Art symposiums. Sharp Electronics Co., Federal Way, Washington, 1993, series of short-term research equipment loans: shipped LCD projector nationwide for exhibitions, lectures, and performances. Cargill Inc., Portland, Oregon, 1993, research donation: 55 gallons of resin for continued art casting. Cargill Inc., Lynwood, California, 1991, research donation: 110 gallons of resin and technical consultation, for art casting research and exhibition at CSU-Fullerton, Fullerton, California

Grants and Contracts (Currently Scheduled or Submitted): Ongoing

Honors and Awards: Honorable Mention, Idaho Commission on the Arts Fellowship 2003, Boise, Idaho, 2002 Best of Show, Mold That Thought Exhibit, Galeria Mesa, Mesa, Arizona, 1996 Purchase Award, Artist Book Exhibit, Wilder Gallery, Los Gatos, California, 1992 First Place, Art Beat 1991, Costa Mesa Art League, Costa Mesa, California, 1991 First Place, 1986 Juried Show for Minnesota Artists, Art Center of Minnesota, Orono, Minnesota, 1986

SERVICE:

Major Committee Assignments: National: Promotion & Tenure Performance Review (outside evaluator of candidate in sculpture), 2002

Regional: Friends of the Museum of Art Advisory Board, WSU, Pullman, Washington, 1994-96 Arts for Idaho, Board Member, Idaho State Legislative Lobbyists, Boise, Idaho, 1996-98

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College: Tenure & Promotion Committee, Department of Theater/Film, 2005. Space Task Force, Departmental Co-representative, 2000-01 NBBJ Space Planning Committee, Member, 2000-01 Idaho Commons Relocation: Space Task Force, Member, 1996-98 Technical Shop Supervisor Search Committee, Member, 1995-96

Department: 3rd Year Review Committee, Grishkoff, 2003 New Student Recruitment Committee, 2002-03 Promotion & Tenure Committee, Keim-Campbell, 2002 Art History Search Committee, 1998-99 and 2000-01 Ceramics Search Committee, 1998-99 Foundations Search Committee, 2000-02 (Co-Chair, 2001-02) 3rd Year Review Committee, Keim-Campbell, 1999 Futures Committee, 1998-99 NASAD Review Committee, 1997-98 Graphic Design Search Committee, 1995-96 Speakers Committee, 1994-96; Co-Chair, 1998-2000, Chair, 2000-01

Campus and Community Service: Berman Creek Park Advisory Committee (guided students through public art competition from inception to installation of interpretive concrete sculptures for outdoor park), Moscow, Idaho, 2003 Awards Judge, Dogwood Festival Art Competition, Lewis & Clark Center for Arts and Humanities, Lewiston, Idaho, 2003 Dancers, Drummers and Dreamers, (coordinated fabrication of collaborative musical instruments for annual interdisciplinary student performances), University of Idaho, 2003. Installation and Performance Art Evening Events, (facilitated monthly potluck, discussions and performance art series open to the public), University of Idaho, 2003. Vagina Monologues (furnished shop space, tools and support for set design), University of Idaho, 2002. Coordinator, Sculpture at Night Series (coordinated a monthly potluck, lecture, film and discussion evening series open to the public, University of Idaho, 1998-2000. Faculty Advisor, Sculpture Guild (a student sculpture guild, University of Idaho, 1999-2003. Volunteer, National Alliance for the Mentally Ill (NAMI), Latah County Chapter, 2001-present Member, Moscow Downtown Revitalization Task Force, Moscow, Idaho, 2001 Curator, Metaphoric Book Objects, Compton Union Gallery, WSU, Pullman, Washington, 2000 Awards Judge, Moscow Pool Art Committee, Moscow, Idaho, 1999 Judge, Lewis & Clark Center for Arts & Humanities Exhibit, Lewiston, Idaho, 1998 Volunteer, Opportunities Unlimited (with Developmentally Disabled Adults), Moscow, Idaho, 1997-99 Volunteer, Stepping Stones (with Developmentally Disabled Adults), Moscow, Idaho, 1996 Volunteer Laborer, Habitat for Humanity, Pullman, Washington, 1995 Juror, Art on the Green Festival, Coeur d’Alene, Idaho, 1995 Regional Coordinator, Save Outdoor Sculpture, Idaho Commission on the Arts, Boise, Idaho, 1994 Volunteer, AIDS Awareness Program, Blue Mountain Heart to Heart, Walla Walla, Washington, 1993 Juror, Regional Juried Art Exhibit, Allied Arts Association, Richland, Washington, 1993 Juror, Student Art Exhibition, Columbia Basin Community College, Pasco, Washington, 1992 Volunteer Arts Coordinator, Paine Alternative School, Walla Walla, Washington, 1992 Volunteer, Project READ, Walla Walla, Washington, 1991

PROFESSIONAL DEVELOPMENT:

Administration: Attended, National Council of Arts Administrators Conference (NCAA), Providence, RI, 2005.

Teaching: Attended, South East College Art Conference (SECAC), Little Rock, Arkansas, 2005. Attended, NACADA Advising Symposium, University of Idaho, Moscow, Idaho, 2004. CLERCX, Byron D. Page 10

Co-Instructor, 7 days in LA, Field Trip to Los Angeles (w/ UI Professor Glenn Grishkoff), 1999. Co-Instructor, Field Trip to New York (w/ Whitman Professors Keiko Hara & Ed Humphreys), 1992.

Scholarship: Participant, Sabbatical Research Trip to Eastern and Central Europe, to research and write about international art and culture and to produce, exhibit and lecture about my art and design practice and pedagogy, University of Idaho, Moscow, Idaho, AY 2003-04. Client/Sponsor: ‘Pedals to Pages,’ Idaho Engineering Works, Mechanical Engineering Graduate Program, University of Idaho, Moscow, Idaho, 2003. Client/Sponsor: Fountain of Knowledge,’ Mechanical Engineering Senior Capstone Design Program, University of Idaho, Moscow, Idaho, 1995-96. Participant, Public Art 101 Workshop, Seattle Arts Commission, Seattle, Washington, 1998. Participant, Field Trip to Japan: to research painting and papermaking and local art and culture, University of Wisconsin−River Falls, River Falls, Wisconsin, 1982.

Courses Taught: Marshall University (2005-present) Art Appreciation (non-majors, ongoing)

Student Advised: Undergraduate Students advised: (range = 15-20 per year):

SCHOLARSHIP ACCOMPLISHMENTS:

Public Art: Pedals to Pages, Bike Rack & Benches for the Boise Public Library, Boise City Arts Commission, Boise, Idaho (a ClercxWorks collaboration w/ Lynn Clercx), 2003-04.

Invitational Exhibitions: Love and/or Terror, Museum of Art, University of Arizona, Tucson, Arizona, 2003 Altered Books: Spine Bending Thrillers, The Rider University Art Gallery, Rider University, Lawrenceville, New Jersey [curator: Karen McDermitt (catalog)], 2003. Faculty Exhibition, Prichard Gallery, University of Idaho, Moscow, Idaho (annually since 1993). Ex Libris, Frumkin Duval Gallery, Santa Monica, California, 2002 Boise City Arts Commission: Public Art Projects, Boise Art Museum, Boise, Idaho, 2002. Group Show, Lorinda Knight Gallery, Spokane, Washington, 2002 Group Exhibit: Sun Valley Annual Writers Conference, Anne Reed Gallery, Ketchum, Idaho, 2001 Book Unbound, Dalton Gallery, Agnes Scott College, Atlanta, Georgia, 2001 Book as Art, Catherine G. Murphy Gallery, College of St. Catherine, St. Paul, Minnesota, 2000 LEGIBLE FORMS: Contemporary Sculptural Books, Contemporary Art Center of Virginia, Virginia Beach, Virginia, [curator: Carla Hanzal], 1999 Tools-as-Art: The John Hechinger Collection, The National Building Museum, Washington, DC, 1999. An Academic Celebration of Idaho Artists, John B. Davis Gallery, Idaho State University, Pocatello, Idaho [curator: Rudy Kovacs (catalog)], 1998 TURNING UP THE PAGE: Artist Book of the Nineties, Pyramid Atlantic Gallery, Riverdale, Maryland, [curator: Helen Frederick], 1997 LEGIBLE FORMS: Contemporary Sculptural Books, Handworkshop Art Center, Richmond, Virginia; Chicago Public Library & Harold Washington Library, Chicago, IL; Sheldon Memorial Art Gallery, Lincoln, Nebraska, 1997 Literary Sojourn, Steamboat Springs Arts Council at the Depot, Steamboat Springs, Colorado, 1997 Webs://Textiles & New Technology, UC-Davis Gallery, Davis, California, 1997 Artist’s Books, School of Glass Works & Printmaking, New Orleans, Louisiana, 1997 The Book as Art, Eleanor Bliss Center for Arts, Steamboat Springs, Colorado, 1997 Inside/Outside: The International Library, Frederick R. Weisman Museum, University of Minnesota, Minneapolis, Minnesota. [curator: Helmut Lohr (catalog)], 1996 Literary Sojourn, Steamboat Springs Arts Council, Steamboat Springs, Colorado, 1996 Book as Art III, Edith Lambert Gallery, Santa Fe, New Mexico, 1996 Virginia Festival of the Book, various locations, Charlottesville, North Carolina, 1996 1996 Book Art Show Seattle Public Library, Seattle, Washington, 1996 Artist’s Books, Warren Street Gallery, Hudson, New York [curator: Fawn Potash], 1995 Book as Art II, Edith Lambert Gallery, Santa Fe, New Mexico, 1995 Books as Objects, Selby Gallery, Ringling School of Art & Design, Sarasota, Florida, 1995 The Packwood Diaries, Pyramid Atlantic, Riverdale, Maryland, 1995 Let’s Play House: Artist’s and Domestic Environments, Charles A. Wutsum Museum of Fine Art, Racine, Wisconsin [curator: Caren Heft (catalog)], 1995 The Uncommon Book: Structure, Space, Language, Sun Valley Art Center, Sun Valley, Idaho, 1995 The International Library, Center for Book Arts, New York, New York [curator: Helmut Lohr], 1995 2nd International Book Arts Invitational, King Street Stephen Museum, Hungary [curator: Gyula Fulop (work in permanent collection)], 1994 Re-Reading the Boundless Book, Minnesota Center for Book Arts, Minneapolis, Minnesota [curator: Betty Bright], 1994 Artist’s & Eccentric Books, Braithwaite Gallery, University of Southern Utah, Cedar City, Utah, 1994 The Packwood Diaries, Comus Gallery, Portland, OR [curator: Donald Vogler (catalog)], 1994 Las Vegas U.S.A., Nevada Institute for Contemporary Art, Las Vegas, Nevada, 1994 Books as Objects, North Dakota Museum of Art, Grand Forks, North Dakota, 1994 The Aesthetics of Athletics: Sports Games and Exercise, Charles A. Wutsum Museum of Fine Art, Racine, Wisconsin. [curator: Caren Heft (catalog)], 1994 Triennial: Black, White and Read II, Edith Lambert Gallery, Santa Fe, New Mexico, [curator: Anne Burton], 1994 Bookworks from the Book Arts Guild, Pratt Fine Arts Center, Seattle, Washington, 1994 Book as Object as Book, Comus Gallery, Portland, OR, [curator: Donald Vogler (catalog)], 1993 Artists Books & Art About Books, Pratt Manhattan Gallery, New York, New York; and Rubelle & Norman Schafler Gallery, Brooklyn, New York, 1993 Building the Contemporary Book, Minnesota Center for Book Arts, MPLS, Minnesota. [curator: Betty Bright], 1993 In, On & Out of the Bag, Nevada Institute of Contemporary Art, Las Vegas, Nevada, 1993 American Artist Books, Istvan Kiraly Museum, Budapest, Hungary [curator: Robin Silverberg (work in permanent collection, catalog)], 1992 Juried Exhibitions: Idaho Commission on the Arts Fellowship 2003 Exhibition, UI Prichard Art Gallery, Moscow, Idaho; Friesen Gallery, Nampa, Idaho; Herrett Museum & Jean King Gallery, Twin Falls, Idaho; Lewis & Clark Center for Arts & History, Lewiston, Idaho [statewide tour (catalog)], 2003. Idaho Triennial Exhibition, Boise Art Museum, Boise, Idaho [juror: Cheryl Conkelton, (catalog)], 1998 A Survey of Contemporary Book Arts in the Northwest, Sheehan Gallery, Whitman College, Washington [curators: Ben Mitchell & Kathy Kuehn], 1996 Mold That Thought, Galleria Mesa, Mesa, Arizona [juror: Katheryn Funk], 1996 Idaho 1995 Triennial Exhibition, Boise Art Museum, Boise, Idaho [jurors: Diane M. Douglas, Wally Mason, and Gordon McConnell, (catalog)], 1995 A Booker’s Dozen: 14 Idaho Artist’s & Eccentric Books, Idaho Center for the Book, Boise State University, Boise, Idaho [curator: Tom Trusky], 1994 VICTIMS, University of Alaska at Anchorage, Anchorage, Alaska, 1993 Recycler Exhibit, DaVinci Art Gallery, LA City College, Los Angeles, California, 1993 Pacific Northwest Annual, Bellevue Art Museum, Bellevue, Washington. [jurors: Buzz Spector and Susan Biskeborn], 1993 Art Work for AIDS ‘93, Northwest Aids Foundation, Seattle, Washington, 1993 1s National Show, Long Beach Center for Art, California [juror: Jen Butterfield], 1992 Volumnation: Book-As-Art-Object, Edwin A. Ulrich Museum of Art, Wichita State University, Wichita, Kansas [juror: Amy Young], 1992 Bookworks, Mesa City Art Center, Mesa, Arizona, 1992 88th Open, Long Beach Center for the Arts, Long Beach, California. [juror: Peter Frank], 1992 Artists Books Exhibition, Wilder Galley, Los Gatos, California [juror: Valorie Hill], 1992 Artists Books, Sarasota County Library, Sarasota, California, 1992 Art Beat 1991, Costa Mesa Art League Gallery, Costa Mesa, California. [jurors: Susan Anderson, Brian Gray, & Mark Johnstone], 1991 ‘30 Below’, University Art Museum, University of Minnesota, Minneapolis, Minnesota [jurors: Diane Katsiaficas & George Neubert], 1987 1986 Juried Show for Minnesota Artists, The Art Center of Minnesota, Orono, Minnesota; Owatonna Art Center, Owatonna Minnesota; Bemidji Art Center, Bemidji, Minnesota [curators: Sidney Simon & Lynne Warren (catalog)], 1986

Authored Publications: “Art of the Third Republic of Poland”, Sculpture, June 2004, Vol. 23, No. 5, p. 76-77. "Interview with Patrick Zentz", Sculpture, March 2003, Vol. 22, No. 2, p. 20-21. "Books as Tools", U.S. 1, March 12, 2003, p. 2. "Jack Dollhausen: Boise Art Museum", Sculpture, November 2002, Vol. 21, No. 9, p. 70-71. "New Frontiers: Interview with New Media Artists at Jackson Hole Art Association", SPLASH, Winter 2002, p. 8-10, 14, 26-27. "Tracy Linder: Yellowstone Art Museum", Sculpture, July/August 2001, Vol. 20, No. 6, p. 57-58. "Brad Rude: Boise Art Museum", Sculpture, Jan/Feb 2000, Volume 19, Number 9, p. 58-59. "The Art Guys: Tacoma Art Museum", Sculpture, December 1999, Vol. 18, No. 10, p. 70-71. "Mel Chin: WSU Museum of Art", Sculpture, September 1998, Vol. 17, No. 7, p. 71-2. "Computers and Sculpture in Education: Re/Shaping the For(u)m for the 21st Century", Sculpture, November 1997, Vol. 16, No. 9, p. 48-52. "The Book and The Body: Generation and Re-Generation", Talking the Boundless Book: Art Language, & Book Arts, ed. by Charles Alexander, Minnesota Center for Book Arts, MPLS, Minnesota, November 1995, p. 125-9. "Reply to Spencer", Washington Book Club Quarterly. Vol. X, No. 4, Winter 1992, p. 3-5. Presentations: ‘Gallery Talk with Byron Clercx’, Lorinda Knight Gallery, Spokane, Washington, 2004 ‘Byron Clercx and Sculpture at Idaho’, Introduction to Art, University of Idaho, Moscow, Idaho, 2004. ‘From Studio Work to Public Sculpture, Buhl, Idaho: Public Art Project, Department of Architecture, University of Idaho, Moscow, Idaho, 2004. "Textuality: Language, Locution and Location", Krakow Academy of Art, Krakow, Poland, 2003 "Materials, Memories, and Metaphors", Palacky University, Olomouc, Czech Republic, 2003 "Books as Objects: The Rhetoric of Transformation", Museum of Art, Olomouc, Czech Republic, 2003 "Reflexive Origins and New Frontiers", Center for Polish Sculpture, Oronsko, Poland, 2003 "Pedals to Pages" Public Art: BCAC-Idaho Artist's Panel, Boise Art Museum, Boise, Idaho, 2002. “Textuality: Books-as-Metaphors,” Yellowstone Art Museum, Billings, Montana, 2001. “Ag.Nation,” Art Association Gallery, Jackson Hole, Wyoming, 2001. “Displacement or Deference: How Technology Has Affected the Visual Arts, Tools and Technology Humanities Lecture Series,” University of Idaho, Moscow, Idaho, 2001. “Presenter, Discernable Differences and Danto’s Theories: There’s More to Art Than Meets the Eye,” Inland Northwest Philosophy Conference on Truth & Meaning, University of Idaho, Moscow, Idaho & Washington State University, Pullman, Washington, 2000. “Corporeal Readings,” Art Department, California State University Long Beach, Long Beach, California, 1998. “Giving Books Second Looks,” University, of Great Falls, Great Falls, Montana, 1998. “Artists’ Books: Prosaic Containers/Poetic Objects,” Paris Gibson Square Museum of Art, Great Falls, Montana, 1998. “Corporeal Readings,” Art Department, University of California-Santa Barbara, Santa Barbara, California, 1997. “Lecturer, Apprehending Conceptual Art", Fullerton College, Fullerton, California, 1997. “Like Father...Like Son,” Prichard Art Gallery, University of Idaho, Moscow, Idaho, 1997. “Painting is History", Art Department, Youngstown State University, Youngstown, Ohio, 1996. “Materials/Metaphors,” Art Department, Westminster College, New Wilmington, Pennsylvania, 1996. “Materials & Metaphors,” Compton Union Brown Bag Lunch Series, Washington State University, Pullman, Washington, 1995. “Book Objects: Tactile Language, Art & Language: Re-Reading the Boundless Book Symposium,” Minnesota Center for Book Arts, Minneapolis, Minnesota, 1994. “The Visual Book as a Classroom Tool,” Idaho Center for the Book Symposium, BSU, Boise, Idaho. “Book Objects: The Ugly Ducklings, Center for Book Arts, New York, New York, 1994. “The Physicality of Text, Symposium on Artist’s Books,” presenter and panelist, Portland State University, Portland, Oregon, 1993. “Text-uality,” Art Department, University of North Dakota, Grand Forks, North Dakota, 1993. “Looking at Books,” Minnesota Center for Book Arts, Minneapolis, Minnesota, 1993. “Re-Reading Books,” Sheehan Gallery, Whitman College, Walla Walla, Washington, 1993. “Entropy in the Arts,” Art Department, Whitman College, Walla Walla, Washington, 1991.

Research Citations: Art review: 'Altered Books', by F. R. Rivera, U.S. 1, February 26, 2003, p. 35-36. Thrillers in Word & Image, by Nicole Plett, U.S. 1, February 5, 2003, p. 40. Turning over a new leaf, by Janet Purcell, The Times, Friday, January 31, 2003, p. G3-G4. Boise’s new public art program takes off, by Emily Simnitt, The Idaho Statesman, Saturday, June 22, 2002, p. 1 & 6. Brothers share new exhibit at Art Association, by Josh Hodes, Jackson Hole Guide, Wednesday, July 25, 2001, p. D5. Exhibit Features off-beat works of Clercx Brothers, by Dina Mishev, Jackson Hole News, Wednesday, July 25, 2001, p.7. Art in the most unlikely places, by John Ryan, Moscow Pullman Daily News, Weekend Edition, November 14 & 15, 1998, p. 8A. Bookworms will be smitten by exhibit, Great Falls Tribune, September 11, 1998, p. 10-11. New Boise Art Museum show opens Thursday, by Marianne Flagg, The Idaho Statesman, Tuesday, June 23, 1998, p. 1D & 2D. Byron Clercx at Lorinda Knight Gallery and the Eastern Washington University Gallery, by Deborah Haynes, Artweek, May 1997, Vol. 28, No. 5, p. 29-30. Clercx at Knight Gallery, by Connie Grove, The Inlander, March 12, 1997, p. 12. Static Object: Dynamic Form, by Johanna Drucker, SCULPTURE, November 1996, Volume 15, Number 9, p. 20-24. Literary art show redefines limits, by Tom Ross, Steamboat Pilot, September 5, 1996, p. E1. Mesa exhibit includes an itchy situation, by Clare Ulik, Arizona Republic, March 30, 1996, p. 1 & 10. From Fiber to Pixels to Fiber Again, by Anne C. Lear, Computer Graphics, September 1996, p. 4-5. Byron Clercx: Reading Things, The Bookmaker’s Desire, by Buzz Spector, Umbrella Editions, 1995, p. 57-60. Centering the Art (Arts?) of the Book, by Charles Alexander, M/E/A/N/I/N/G #17, May 1995, p. 21-26. JAB: An Identity Crisis, by Doug Beube, Journal of Artist’s Books, Spring, 1995, p. 30-31. Johanna Drucker responds, by Johanna Drucker, Journal of Artist’s Books, Spring 1995, p. 31. Re-Reading the Boundless Book: Art and Language Rewrite the Twenty-First Century, by Neill Herring, Art Papers, Jan/Feb, 1995, p. 51-52. Literature becomes art in a different way, by Andrea Vogt, The Idaho State Journal, October 1, 1995, Sec. E, p. 1. Book Learin’: UI Professor Sculpts Texts into Art Works, by Andrea Vogt, Lewiston Tribune, August 25, 1995, Section D, p. 1 & 4. The Book as Art II, by Chris Hemp, THE magazine, April, 1995, p. 55 I Don’t Take Voice Mail, by Charles Bernstein, M/E/A/N/I/N/G #1, November 1994, p. 55-61. The Public Life of Artist’s Books: Questions of Identity, by Johanna Drucker, Journal of Artist’s Books, Volume 1, Number 2, Fall 1994, p. 6, 55-61. Piquing ‘Packwood Diaries’, by Lee Fleming, The Washington Post, Saturday, Dec. 10, 1994, p. D2. Hanging Sen. Packwood, by Susan G. Hauser, The Wall Street Journal, September 26, 1994, p. A12. A Booker’s Dozen, by Paris Almond, REFLEX, Oct/Nov, 1994, p. 17. Senator gets more than a tweak in Comus ‘Packwood Diaries’, by Bob Hicks, The Oregonian, September 10, 1994. Book Art Breaks the Rules, by Cory Wees, The Arbiter, April 19, 1994, p.10-11. Gallery Hopping: The Book as Art at the Edith Lambert Gallery, by Dean Balsamo, Pasatiempo, March 11, 1994, p. 44. Art is an Open Book, by Candelora Versace, Pasatiempo, March 4, 1994, p. 31-34. ‘Books as Objects’, at Comus Gallery (Portland),” REFLEX, Vol. 8, No. 1, Jan/Feb, 1994, p. 22, 24. Books as Objects as Books as Art, by Victoria Benedetti, Quarto, Volume 2, No. 1, January 1994, p. 1. American Artist’s Books, by Pataki Gabor, Uj Muveszet (Art Today), No. 93/1, January, p. 44-45. No telling these books by covers, by Joel Weinstein, The Oregonian, Tues., December 14, 1993, p. E8. Annual Bellevue Art Museum show reveals exceptional new voices, by Regina Hackett, Seattle Post Intelligencer, July 24, 1993, p. C3. Books as Art: From Library to Museum Floor, by Steve Cheseborough, Phoenix Gazette, July 15, 1992, p. 11. Books Open up to Reveal a New World of Artforms by Bruce Christian, Mesa Tribune, June 12, 1992, p. 20. ‘30 Below’, at ‘U’ is viewers digest of new artistic trends, by Mary Abbe Martin, Minneapolis Star and Tribune, Sunday, January 25, 1987, p. 1G & 9G, 1987.

Solo Exhibitions (Currently Scheduled or Submitted): Ongoing

Public Art (Currently Scheduled or Submitted): Ongoing

Authored Publications (Currently Scheduled or Submitted): Ongoing

Grants and Contracts Awarded: Mautz Paint, Little Canada Minnesota, research donation: 200 gallons of acrylic paint. Seed Research Grant, University of Idaho, Moscow, Idaho, $5,932 for travel, research residency, exhibitions and lectures in Central & Eastern Europe, 2003. Quick Art$, Idaho Commission on the Arts, Boise, Idaho, $850 for residency in Europe, 2003. Cenex, Inver Grove Heights, MN, 2003, educational donation, 220 gallons of BioForm Concrete Form Release Oil, casting research and product testing with UI Professor Ed Schmeckepeper, Small Travel Grant, University of Idaho, Moscow, Idaho, 2001, $850 for travel to the Yellowstone Art Museum, Billings, Montana for invited lecture and ‘Information/Transformation’ exhibition. Departmental Travel Award, University of Idaho, Moscow, Idaho, 2001, $250 for travel to the Yellowstone Art Museum, Billings, MT for invited lecture and exhibition. Quick Art$, Idaho Commission on the Arts, Boise, Idaho, 2000, $700 to complete artwork for ‘Information/Transformation’ installation at the Yellowstone Art Museum. Quick Art$, Idaho Commission on the Arts, Boise, Idaho, 1997, $1,000 to complete artwork for exhibits at EWU, Cheney, Washington; & Lorinda Knight Gallery, Spokane, Washington. Small Travel Grant, University of Idaho, Moscow, Idaho, 1995, $625 for travel to NYC for invited lecture at Center for Book Arts. Departmental Travel Award, University of Idaho, Moscow, Idaho, 1995, for invited lecture at Youngstown State University and exhibition at Westminster College, $250. Seed Research Grant, University of Idaho, Moscow, Idaho, 1994, $6,000 for travel to Ogden, Utah to complete onsite research and an installation at Great Salt Lake North American Salt Co., Salt Lake City, Utah, 1994, research donation materials & technical support. Small Travel Grant, University of Idaho, Moscow, Idaho, 1994, $900 for travel to MPLS & Boise for invited lectures at Book Art symposiums. Departmental Travel Award, University of Idaho, Moscow, Idaho, 1994, $250 for travel to Boise, Idaho and Minneapolis, Minnesota for invited lectures at Book Art symposiums. Sharp Electronics Co., Federal Way, Washington, 1993, series of short-term research equipment loans: shipped LCD projector nationwide for exhibitions, lectures, and performances. Cargill Inc., Portland, Oregon, 1993, research donation: 55 gallons of resin for continued art casting. Cargill Inc., Lynwood, California, 1991, research donation: 110 gallons of resin and technical consultation, for art casting research and exhibition at CSU-Fullerton, Fullerton, California

Grants and Contracts (Currently Scheduled or Submitted): Ongoing

SERVICE:

Major Committee Assignments: National: Promotion & Tenure Performance Review (outside evaluator of candidate in sculpture), 2002

Regional: Friends of the Museum of Art Advisory Board, WSU, Pullman, Washington, 1994-96 Arts for Idaho, Board Member, Idaho State Legislative Lobbyists, Boise, Idaho, 1996-98

University of Idaho: Safety and Loss Prevention Committee, 1999-2003 College of Art & Architecture Dean Search Task Force, 2001 Fine Arts Committee, Ad Hoc, 2000-01 Campus Arts Acquisition & Stewardship Guidelines, Co-Author, (w/ Gail Siegel), 1999 Fine Arts Committee, 1996-99 Recruitment & Retention Task Force, 1999 College: Tenure & Promotion Committee, Department of Theater/Film, 2005. Space Task Force, Departmental Co-representative, 2000-01 NBBJ Space Planning Committee, Member, 2000-01 Idaho Commons Relocation: Space Task Force, Member, 1996-98 Technical Shop Supervisor Search Committee, Member, 1995-96

PROFESSIONAL DEVELOPMENT:

Administration: Attended, National Council of Arts Administrators Conference (NCAA), Providence, RI, 2005.

Teaching: Attended, South East College Art Conference (SECAC), Little Rock, Arkansas, 2005. Attended, NACADA Advising Symposium, University of Idaho, Moscow, Idaho, 2004. Co-Instructor, 7 days in LA, Field Trip to Los Angeles (w/ UI Professor Glenn Grishkoff), 1999. Co-Instructor, Field Trip to New York (w/ Whitman Professors Keiko Hara & Ed Humphreys), 1992.

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